Michel Molinari (1923–1997), often referred to as Michel Molinare, was a British fashion photographer known for his intense and intimate portraiture from the mid-1950s to the 1960s.
Born in London and raised partly on the Italian Riviera, Molinari developed a distinctive style that combined classical sensitivity with a naturalistic approach. Working for magazines such as Tatler, Harper’s Bazaar, and Queen, Molinari created atmospheric images that captured a quiet closeness with his models.
His work, often compared to the observational quality of Cartier-Bresson, favored authenticity and subtle expression over heavy artifice, leaving a refined record of postwar fashion photography. These evocative photos showcase the intimate style and refined eye of Michel Molinari, a distinctive voice in mid-century fashion photography.
Model in two-tiered tunic dress in embroidered cotton lawn, the boned bodice is held by shoestring straps, by Rhona Roy, brilliant pink stole by Ascher, photo by Michel Molinare, Harper’s Bazaar UK, June 1960
Jennifer Hocking in luxurious Autumn Haze EMBA mink coat from Calman Links, beige felt hat by Christian Dior Chapeaux, photo by Michel Molinare, Harper’s Bazaar UK, October 1960
Jennifer Hocking in pearlized blue capeskin coat with the look of leather by Paul Blanche from Fenwick, hat by Reed Crawford, photo by Michel Molinare, Harper’s Bazaar UK, February 1960
Model in 3/4 length cape-coat in two contrasting fabrics, topped and sleeved in gray and black houndstooth like the hat, the bottom in gray tweed which matches the straight skirt by Patrick de Barentzen, photo by Michel Molinare, September 1960
Model in black velvet three-piece with satin-bound jacket by Harry B. Popper, white satin cloche by Dolores Model, photo by Michel Molinare, Harper’s Bazaar UK, December 1960
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